Interlude with a Goddess

Goddess Interlude One © Catherine RutgersUsually, she stands by the side of the sink, proudly perched on a ledge in the arch that separates the cooking zone from the eating area. Theoretically. My kitchen actually gets multiple use as a basement, alternative studio, storage space for gardening tools, and laboratory for photographs. It faces west, and the late-afternoon light is often spectacular, shining low from across the street and casting strange shadows or mysterious reflections.

It was around this magical time that I decided Athena needed to be washed. She was given to me by a friend I haven’t seen in years, in memory of her mother. Like my memories of them, this statue is precious. When the photography session was finished, Athena was scrubbed a bit more, rinsed thoroughly, dried carefully, and placed gently back on her perch – with a newfound appreciation for the details I had never noticed before.

Goddess Interlude Two © Catherine RutgersGoddess Interlude Three © Catherine RutgersGoddess Interlude Four © Catherine RutgersGoddess Interlude Six © Catherine RutgersGoddess Interlude Seven © Catherine RutgersPhotographs by Catherine Rutgers © March 2011.

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Guest Spot: Samm Cohen

Permissive © Samm Cohen

“Permissive,” mixed media by Samm Cohen

The opening page of Samm Cohen’s website includes this quote from
Carl Jung: “There is no coming to consciousness without pain.”

Samm brings a distinctive touch – fearless, perceptive, emotional – to multiple media: oil paint on canvas, glass, and foil; photography and digital art; one-of-a-kind wearable art using clay, screws, guitar strings, styrofoam.

Her “Golden Screams” three-piece set appears below, followed by six images representing a sample of her work. Golden Screams © Samm Cohen
Here’s the good word from Ms. Cohen:

“I think what is important about
my pieces is I don’t think they need explanation. That what they touch
is visceral, is a place of emoting and contemplation, a place without words really, and though I very much like language and I do write poetry, sometimes in the context of my pieces, it’s the experience more intuitive and heartfelt, more intimate, that I seek to communicate.”

Visit sammcohen.com to view her work in multiple mediums. I believe her art captures the beauty as well as the heartache.

 A Pit of Needing © Samm Cohen

“A Pit of Needing”

But I Remember Everything © Samm Cohen

“But I Remember Everything“

Plastic Ponders © Samm Cohen

“Plastic Ponders,” Tucson, Arizona

The World As I See It © Samm Cohen

“He Wants to Know, Just Sometimes, the World as I See It”

Through My Own Skins © Samm Cohen

“Self Portrait: Through My Own Skins”

Vast America © Samm Cohen

“Vast America: Sky in Drive 2”

All images in this “Guest Spot” are original artwork by Samm Cohen © 2011.

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No Fear of Flying

Butterfly Habitat © Catherine Rutgers Emily Goodman – author of Plant Secrets – inspired me to think about butterflies in my art, which led, of course, to whizzing through dreamscapes. Agile brushstrokes, airborne sprites, birds or fish, gliding or jumping or falling through an atmosphere undefined.

But there aren’t actually any butterflies. The image at left, however, may be the perfect butterfly habitat, waiting with
a warm and colorful glow for a creature who has flown away for now.

Fish in Flight © Catherine Rutgers Through One © Catherine RutgersSpeed of Flight © Catherine RutgersBlue Bird © Catherine RutgersLike a Paradise © Catherine RutgersGlobal Jump © Catherine RutgersAll images in this post are original artwork by Catherine Rutgers © 2011.

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One Woman’s Trash

Might very well become my treasure. I found these glowing-orange-pink plastic rods wrapped in tape on the street in Manhattan. Irresistible. They’re around six feet long and weigh a ton. Yesterday, I figured out how to display the bundle on my studio wall and noticed that the tips conducted light. I thought something interesting might happen if they were scanned, so snapped one apart, set it on the glass, and let the light flow.

Violet Shadow © Catherine RutgersRods Oh Eight © Catherine RutgersOrange on Black © Catherine RutgersPink Orange Stripe © Catherine RutgersTumbled © Catherine RutgersDetailed 007 © Catherine RutgersCrossing Green © Catherine RutgersLayered Orange Pink Rods © Catherine RutgersThe images in this post are the original artwork of Catherine Rutgers © 2011.

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Juiced Orange: The Death and Rebirth of Vinyl

In May 2001, the Arty Party Salon at 8th Avenue Sessions, Times Square, rocked live music, performance, and visual art, curated by Tom Burnett and hosted by Matthew Courtney. And I had an entire room for the “Death & Rebirth of Vinyl” installation.RCA Victor Red Seal Record, scanned in 2011, CatRutgers4artOrange Zero Twelve © Catherine Rutgers 2017

Vintage Jimi Hendrix poster at the Arty Party Salon, 2001
Painted the walls with blue and white clouds, added black light, a vintage Hendrix poster, paintings, CDs, a red-vinyl RCA Victor 45 (recorded December 18, 1912, and made in Camden, New Jersey) and four mixed-media sculptures on LPs. Scanned on February 26, 2011, “Orange Ya’ Glad” becomes a whole new world in another dimension.

Depth Scan Orange 2011 © Catherine RutgersOrange 8 Detail © Catherine RutgersOrange You Glad 2011 © Catherine RutgersOrange Ya’ Glad, 2001, artwork and images by Catherine Rutgers © 2011

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