The Colors of June

A Transformation of Hollyhocks in Sunlight © Catherine Rutgers 20142013 was the Season of Extreme Gardening. I cut down two diseased and weary bushes, sawing and yanking their roots from the dirt, making space for ferns, lemon thyme, the red-toned lilies. I pitchforked a sketchy patch of weeds in the lawn, reveling in unearthing a foot-deep mess of clay, rocks, metallic household detritus, pottery shards, an old toothpaste tube, hunks of concrete—replacing it with my favorite topsoil-organic planting mix (albeit purchased and from not-entirely-sustainable source material). And for my first time, planted grass seed.

Amazingly enough, considering how happy the squirrels were to find this freshly softened territory for acorn planting, the grass took hold and in 2014 is a nicely thick zone of green. Green, of course, is the symphony of June in the northeast. It’s everywhere, and everywhere delightful. Toward the end of the month, however, my attention turned to the grace notes, the trills, the accents that spice up the homefront landscape. With the intention of capturing the more exotic colors, I stepped out with scissors in hand and snipped a selection of blossoms. The original primroses, aka buttercups, came from a single plant that my mother gave me. Now, they are sprinkled throughout the gardens. The hollyhocks (a fabulous birthday gift) and the roses were also my plantings. Mona planted the lilies, salvia, daisies, and those whose names I do not know. She knows all the names, understands who likes what type of soil. My method extends to checking sun vs. shade, choosing something I like the looks of, prepping the ground with aforementioned mix, and hoping for the best. It’s a good combo of approaches, actually, yielding an ever-surprising assortment of floral personalities.

Scanning these delicacies is an extraordinary experience. After figuring out how to place them for the best view and without being crushed, the next hurdle is an unbypassable message: “When you scan with high resolution, the image size may be large or a long time may be required for scanning. Therefore, select an appropriate resolution setting. For details, click the Help button.” Help! Why does the interface for this magnificent machine, whose capacities extend to 4,800 pixels per inch, chide me for being inappropriate? I want them to be large, I enjoy practicing patience as the images take several minutes to load. And the results astound me.
Primrose © Catherine Rutgers 2014 Tiger Lily © Catherine Rutgers 2014 Lovely as It Fades © Catherine Rutgers 2014 Rosebud © Catherine Rutgers 2014 More Closely into the Day Lily © Catherine Rutgers 2014 Rose Cluster of Miniature Whites © Catherine Rutgers 2014 Tiny Unknown Unreal © Catherine Rutgers 2014 Black Hollyhock © Catherine Rutgers 2014 Another Rose Beyond Perfection © Catherine Rutgers 2014 The Redder Lily © Catherine Rutgers 2014 Center of the Daisy © Catherine Rutgers 2014 Changing the Rosebud © Catherine Rutgers 2014 Salvia © Catherine Rutgers 2014

Text and images by Catherine Rutgers © 2014

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Laced for New Noise

Full Color Cover © Catherine Rutgers 2014My first movie! Inspired by the New Noise Continuum and designed as visuals for a live performance, the soundtrack is your environment, so listen closely.

The Vimeo link is https://vimeo.com/98385858 and the twelve still images used to create it grace this post. The source is one of my covers for the National Poetry Magazine of the Lower East Side. The “Full Color” issue, 1992, spray paint and silkscreen on cardstock, one-hundred-fifty copies, each made by hand, back when my moniker was Catherine Sand.

Those were the days of anarchy at its best: anyone who brought 150 copies of their work could have pages in the zine, which was lovingly collated and stapled together in a round-robin process. Kind of like a quilting bee for the literature-art-making crowd, if said bee always took place in a bar on the Lower East Side. OK, this was fun!

Laced Hue Six © Catherine Rutgers 2014 Laced Hue Five © Catherine Rutgers 2014Laced Hue Four © Catherine Rutgers 2014 Lace Flip Hue Eight © Catherine Rutgers 2014 Laced Hue © Catherine Rutgers 2014 Lace Flip Hue One v2 © Catherine Rutgers 2014 Lace Flip © Catherine Rutgers 2014 Laced © Catherine Rutgers 2014

 Laced Hue Two © Catherine Rutgers 2014

10 Lace Flip Hue Seven - CatRutgers.jpg

11 Lace Flip Hue One - CatRutgers.jpg

12 Lace Flip v2 Hue Eight - CatRutgers.jpg

 Images and text by Catherine Rutgers © 2014

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“How Technology, Science, and Art Are Changing Our Perception of Time”

Offline © Catherine Rutgers 2014Woke up this morning at five o’clock, drawn outside by a particularly bright and full-seeming moon. The sky is clear, the trees still stark. It is bone-chillingly cold, which I’m really, really tired of. Oh, how I long for greenery and warmth! Will this winter be endless? Answer: there will be another summer. But can anticipation sustain us through these cold-jangled nerves?

On the first day of spring, two days from today, I will be moderating an ArcheTime roundtable to be presented by Offline at Central Booking, in relationship to the “Time and Again” show at Haber Space, curated by the gallerys founder, Maddy Rosenberg. The lineup: Olga Ast, conceptual artist, curator, and the creative force behind ArcheTime; Jacques Laroche, a computer scientist who explores the intersection of science, politics, and society; Richard Leslie, art historian, critic, and author; Greg Matloff, expert in possibilities for interstellar propulsion, especially near-Sun solar-sail trajectories that might enable interstellar travel; Jeremy Newman, director of experimental and documentary videos; and David Pleasant, percussionist, choreographer, composer, and scholar/writer.

Plus, Debra Swack will show her video “Animal Patterning Project: Synthetic Biological and Software Generated Evolution of Animal Patterning,” and Ula Einstein, Linda Stillman, Ellen Wiener, Jayoung Yoon, and other contributors to the book Infinite Instances: Studies and Images of Time will be participating in the event.

How are technology, science, and art changing our perceptions of time? Answer: unknown. Time to open my mind and see what the future will bring!

ArcheTime at Central Booking March 20th 2014 © Catherine Rutgers 2014 The Garden Is My Most Sustained Work of Art © Catherine Rutgers 2014 Fragility in the Shelter of Strength © Catherine Rutgers 2014

Catherine Rutgers © 2014

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Another Day, Another Experiment

Sometimes I stare at something off and on for weeks or months or days or years. Then, at some point, try a new twist and there’s suddenly something new. Don’t you love that?

Score One © Catherine Rutgers 2014

Catherine Rutgers © 2014

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My Collaborative Valentine

Sky Water Land Oval © 2014This begins with technique, exploring one of my favorite photos, so kindly lent to me by Tom Burnett, he of the serious knack for taking a good-looking picture. This one was set as my desktop background when I got inspired to try some transformations, then had the urge to show the steps behind the art. They’re complicated and subtle and I’m taking a chance on whether you can see all the shifts on whatever device you may be viewing from. But I’ve decided it’s worth that hazard.

My favorite part of the original photo is the yellow-green line of plant life blooming between the ocean and the sand. Throughout the changes, one of my goals was to bring attention to that line. I also thought about making the figure more or less prominent, sometimes she pops, sometimes she fades.

The basic recipe: Take one photo, with good color, composition, and subject. Invert. Consider a new angle (flip horizontal). Change hue. Adjust color balance in shadows, midtones, and highlights, respectively. Increase saturation. Try a new hue. Increase brightness and reduce contrast. Invert again. Darken, saturate. Give each image a name, pop them all into a slideshow, sit back and enjoy!

Meanwhile, in the offscreen world, the cleanup campaign (see “Ping Pong Mood”) has extended to emptying all of my file cabinets. It’s even more daunting than the surface renovations, but one delightful thing about digging deep is unexpected discovery—in this case a faded-green-covered, spiral-bound notebook that I hadn’t seen in years. On the last page, there’s a poem from April 13, 1998, “Travelling Home from Easter,” by c. r. sand and Tom Burnett, the two of us writing one line (or so) after the other. Here it is, and Happy Valentines, y’all!

tripping through the back pages
spiraling toward the spirit of the flight
caught by a momentary snag in the fabric
time wiggles its little finger in my direction

your hands capture glinting headlights
your feet pitter into a pattern of night
the night takes you into what you don’t know you know
the little finger directs you to a different spot, a different motion

and it is always at these moments you
sail a single whispered kiss into my ear
saying

if you look out this window
you will find a friend in the clouds

Cat at Barnstable Beach Photo by Tom Burnett © 2014 The Inversion at Barnstable Beach © Catherine Rutgers 2014 A New Color Leads to a New DIrection © Catherine Rutgers 2014 And Then We Mess with The Hue © Catherine Rutgers 2014 Balancing Shadows Midtones and Highlights © Catherine Rutgers 2014 The Saturation Can Always Be Adjusted © Catherine Rutgers 2014 Ever More Hues to Explore © Catherine Rutgers 2014 Let Us Try a Lighter Touch © Catherine Rutgers 2014 Transposing the Inversion © Catherine Rutgers 2014 One More Step into Deepening and Happy with the Results © Catherine Rutgers 2014

Original photo by Tom Burnett © 2014
Transitions and text by Catherine Rutgers © 2014

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