Double Vision circa 1893-1905

Stereopticon Scanned by Cat Rutgers 2016They’re really beautiful devices, these old and once wildly popular stereoscopes. Wood, and metal, and yet not heavy at all. And as simple as the technology appears, the effect really works, creating a view with a depth that surprises me every time.

This one belonged to my great aunts, Miss Ann (Anna Marie) Rutgers (1895-1964) and Miss Gertrude Rutgers (1891-1985). They lived in a wonderful brick house, built by my grandfather Stephen (1893-1970), in the Redford section of Detroit. There was an arbor of concord grapes in the back yard, and I can still picture them making preserves – peeling back the purple-black skins, the sweet-tart pale green fruit inside, the knotty and plentiful seeds, the steaming heat in their kitchen, and row upon row of sparkling clean glass jars waiting to be filled with the gorgeous gem-like results of their work.

The double-image cards are beautiful, too, and became colorful as the century turned. They trumpet the wonders of nature, simply or with an ‘uplifting’ message, share the news of the day, allow travel to far-flung places, and tell stories … crazy, wonderful stories that I can only imagine with just the few pieces in hand.

I have only a small collection, saved from Auntie Gertrude’s basement after she moved into an apartment in the 1970s. Though there’s no date on the stereopticon, the Rutgers sisters were just kids when these cards were published, and they must have been a family treasure to have been saved for so many years.
Full Moon 1899 The Half Dome in Yosemite 1897 Niagrara Falls (Undated) Consider the Lilies 1895 The White House, Washington 1905 President McKinley and His Cabinet 1900 The River Dan-Palestine 1899 Picturesque Thatched Houses of Filipinos-Philippine Islands 1905 Athens-Theatre of Herodes Atticus (Undated) Don't You Dare 1893 You May Have-Just One 1893 And Nicodemus Was Fed by the Wayside 1899

Text by Catherine Rutgers © 2016

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The Street and the Sky: Samm Cohen’s Photos of Istanbul

Samm Cohen 01 Istanbul © 2016In this era when millions of people are taking millions of photos all the time, it’s a pleasure to sit back and sift through an artist’s collection. Samm Cohen works in multiple mediums, with a passion for paintings that stretch the boundaries between a flat canvas surface and the space that surrounds it, using everything from broken mirrors to papier-mâché to extend her solid grounding in classic brushwork into new and often startling visions.

Photography is also a venue for Ms. Cohen, whose joyful approach to travel and documentation is best described by the artist herself:

“I love to travel! I love photography! I have been fortunate to see London Tower holding itself against the wetted sky, the Buddhist flags of the Monkey temple waving, Angkor Wat’s tall, proud stone facades, the uneven bricks of The Great Wall, hot sand of the Sahara in view of the ancient Sphinx, Gaudí’s Seuss-like structures lining the streets of Barcelona, and the blue waters contrasting with monolithic rock off Australia’s Great Ocean Road. … More importantly, I have seen the people in these enthralling cultures during both work and leisure, the growth of the natural and man-made habitats, and the beauty that exists around the world.”

Here’s my selection of twenty photographs from Ms. Cohen’s journey to Istanbul, in late-November 2015. I’m feeling very lucky to explore such a beautiful city through the eyes of this highly creative visitor.

As noted by the artist, “These are all ‘untouched’ photos of the trip, which are also available in cropped and refined versions, along with many more.” For additional photos from Istanbul and many other locations, contact Samm through her website http://www.SammCohen.com or page https://www.facebook.com/sammcohenart.

Samm Cohen 02 Istanbul © 2016 Samm Cohen 03 Istanbul © 2016 Samm Cohen 04 Istanbul © 2016 Samm Cohen 05 Istanbul © 2016 Samm Cohen 06 Istanbul © 2016 Samm Cohen 07 Istanbul © 2016 Samm Cohen 08 Istanbul © 2016 Samm Cohen 09 Istanbul © 2016 Samm Cohen 10 Istanbul © 2016 Samm Cohen 11 Istanbul © 2016 Samm Cohen 12 Istanbul © 2016 Samm Cohen 13 Istanbul © 2016 Samm Cohen 14 Istanbul © 2016 Samm Cohen 15 Istanbul © 2016 Samm Cohen 16 Istanbul © 2016 Samm Cohen 17 Istanbul © 2016 Samm Cohen 18 Istanbul © 2016 Samm Cohen 19 Istanbul © 2016

Samm Cohen 20 Istanbul © 2016All photos © Samm Cohen 2016

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Botanical Matter (More Art for Music)

Everything here originated in my nearby environment, from the hollyhocks and gently fading rose to a bucket of compost and the towering oak trees sans foliage. Forthwith, 15 of 69 botanically oriented images created for Loop 2.4.3 performances.

Hollyhock © Catherine Rutgers 2015

The Center © Catherine Rutgers 2015 IMG2790 New Color © Catherine Rutgers 2015 A Daisy Invert v4 © Catherine Rutgers 2015 October Color Inverted © Catherine Rutgers 2015

The Edges Change © Catherine Rutgers 2015

Think about color v3 © Catherine Rutgers 2015

Velrose © Catherine Rutgers 2015

Willpower v7 © Catherine Rutgers 2015

 Salvia v4 © Catherine Rutgers 2015

Pueblo IMG2802 © Catherine Rutgers 2015 Primordial Lick v2 © Catherine Rutgers 2015 Primordial Lick v3 © Catherine Rutgers 2015 Wildest Dream v4 © Catherine Rutgers 2015

Edges Change 03 © Catherine Rutgers 2015

Images and words © Catherine Rutgers 2015

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Stripes! (Art for Music)

Loop 2.4.3, with the Temple University Percussion Ensemble, November 3, 2015. Photo by Tom Burnett.

There’s a wonderful development afoot: my artwork is being shown during live performances. The music is by Loop 2.4.3, with projections created by Tom Burnett. Described like so on their website: “Loop 2.4.3 creates original music steeped in percussion and electronics. Upon release of the debut album in 2007, NPR [National Public Radio] called Loop 2.4.3 an original voice that ‘sounds like part of a well-thought-out tradition. Only the tradition has never existed until now.’ … Loop’s founder, percussionist/composer Thomas Kozumplik, has created a flexible ensemble that rotates players and varies in size, but a powerful sense of exploration and freedom is constant.” From personal experience, I can say their performances create a thrilling soundscape that lifts you into a previously unimagined world of sensation.

Shown above, a scene from the rehearsal, with the Temple University Percussion Ensemble, on November 3, 2015 at Temple Performing Arts Center in Philadelphia. For the upcoming performance at Alma College, Heritage Center for the Performing Arts in Michigan on December 4, I’ve been creating new images around three themes: stripes, botanical matter, and color fields. Here’s a sample of twenty stripes of all kinds.

Also004 Changed More © Catherine Rutgers 2015 Blur Less 121 IMG2980 © Catherine Rutgers 2015 Church Avenue Difference v2 © Catherine Rutgers 2015

Echo Echo Invert © Catherine Rutgers 2015

Just the Colors Inverted © Catherine Rutgers 2015 Fathers Day More Orange © Catherine Rutgers 2015 Nov Stripes 03 © Catherine Rutgers 2015 Fullmoon © Catherine Rutgers 2015 09 IMG0790 Two © Catherine Rutgers 2015 November Stripes 01 © Catherine Rutgers 2015 Preview zoom006 © Catherine Rutgers 2015 Rods Two © Catherine Rutgers 2015 Tiny also004 Less 190 © Catherine Rutgers 2015 Fullmoon Inverted © Catherine Rutgers 2015 Watched the Stars © Catherine Rutgers 2015 Watched the Stars 0XX © Catherine Rutgers 2015 Winding Road v2 © Catherine Rutgers 2015 Just the Colors © Catherine Rutgers 2015 Winding Road v3 © Catherine Rutgers 2015

Zoomed v2 © Catherine Rutgers 2015

© Catherine Rutgers

 

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’Tis Always the Season

The Gift © 2015Step into my world, where we can be in love with a million things that cross our paths. The flotsam and bric-a-brac and spikelets. Trash on the asphalt. And chocolates unfolded. These are the sights that soothe the soul, pique curiosity, make us take a keener look.

Believe it or not. Read closely and you will discover that “ice is food” and magic is alive in a field of poppies that look like they should have been leopard skin.

And wouldn’t we all like to feel that irregularities and shade variations are characteristic of our fabric, and in no way to be taken as defects. Here, everyone gets a reprieve. Except for the glaciers, arctic or otherwise. But that’s a another story, to be written by gadarene tempests raging in heat through the soil of our northwestern forests.

Seventeen visual treasures await your scroll. Cheers!
Blink © Catherine Rutgers 2015 Magic © Catherine Rutgers 2015 Scrutable © Catherine Rutgers 2015 Ice Is Food © Catherine Rutgers 2015 Packaged Ice © Catherine Rutgers 2015 The Other Side © Catherine Rutgers 2015 Messing Around © Catherine Rutgers 2015 Front of the Garlic Clove © Catherine Rutgers 2015 Inside © Catherine Rutgers 2015 Impression © Catherine Rutgers 2015 Skip Trace © Catherine Rutgers 2015 Crisp K Unfurled © Catherine Rutgers 2015 Badge © Catherine Rutgers 2015 Front and Center © Catherine Rutgers 2015 Back of the Bow © Catherine Rutgers 2015 Untitled View © Catherine Rutgers 2015 Uncrinkled Kringle © Catherine Rutgers 2015Catherine Rutgers © 2015
gadarene = headlong, spikelet = a small or secondary spike, specifically “one of the small few-flowered bracted spikes that make up the compound inflorescence of a grass or sedge” – a definition that is downright poetic. Thank you, Merriam-Webster’s Collegiate Dictionary, eleventh edition of bliss. One meaning of inflorescence, by the way, is “the budding and unfolding of blossoms.”

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